Focusing on session tracking and engineering hybrid acoustic-digital drum recordings from my home studio.

Engineered a hybrid tracking system combining multi-microphone acoustic capture for cymbals with synchronized MIDI triggers for drum shells.

Managed full signal paths, acoustic treatment, and hardware preamp configurations to deliver clean, mix-ready tracking assets.

Optimized digital delivery workflows to provide collaborators with organized, phase-aligned audio stems and MIDI data.

Visit tyleringersolldrums.com for current videos, session credits, and studio specifications.

Rejoined Omnisoul for a 20-year anniversary performance built around the band's album Happy Outside, with proceeds from the event donated to charity.

Performed a full retrospective set with the original band and guest musicians.

Played a separate set of songs that singer Derek Fuhrmann wrote for other artists, including Phillip Phillips, the Goo Goo Dolls, Kygo, and O.A.R.

Supported the archival re-release of Happy Outside, including remastered audio, bonus tracks, and updated artwork.

Tracked live drums at The Deep End Studio in Baltimore for Brad Cox's Veteran Avenue project on the single "Nothing Left to Burn." Produced and engineered by Tony Correlli.

Played bass in the in-house band at Trellist, a marketing agency in Wilmington, DE. The band played shows at multiple tech industry events in Wilmington and Philadelphia.

Tracked bass on "A Night in Hell & A Sunday Morning" for Skitzo Calypso's LP Ghosts. Produced and engineered by Tony Correlli at The Deep End Studio. I had previously played bass and drums on the band's late-90s releases.

Co-founded and performed in a working event band that moved from the regional club circuit into corporate events, universities, weddings, private events, and a residency in Key West.

Played drums and handled DJ responsibilities across club, private, and corporate work.

Built and ran click-driven arrangements and live sequences that were used as part of the show.

Played drums in a Philadelphia punk-rock band that ran alongside The Crash Motive, leaning into heavy live improvisation.

Won a battle of the bands at North Star Bar in Philadelphia.

Opened for Taylor Hawkins and the Coattail Riders.

Signed with Wind-up Records, toured nationally, and recorded major-label releases after years of regional development and label showcases.

Signed a multi-album contract with Wind-up Records following competitive interest from major industry labels.

Tracked major-label releases at studios in New York, Philadelphia, and Los Angeles, working under the direction of producers and engineers including Don Gilmore and Gregg Wattenberg.

Opened for national touring acts and filmed a music video in Los Angeles.

Contributed to media licensing and broadcast placements, including the Fantastic Four soundtrack, Madden NFL 07, Super Bowl XLII broadcast usage, network television, national radio airplay, and stadium playback.

Helped build a regional independent band from the college circuit into label showcases, radio momentum, and studio work.

Logged over a year of heavy radio rotation on WSTW 93.7 FM, including a station record for the most-requested song.

Tracked foundational studio demos with producer Phil Nicolo to generate competitive major-label interest.

Performed regional shows, college dates, and label showcases, including opening for Sugar Ray and playing multiple showcases across New York City.

Played drums in an experimental jam band that built a local following around the University of Delaware and later moved onto larger outdoor stages and festival bills.

Played regularly at venues including Deer Park Tavern and The East End Cafe.

Shared festival bills with acts including The Disco Biscuits and Lake Trout, and performed at Phish’s Camp Oswego festival.

Developed a stronger sense of listening, improvising, and shaping dynamics in real time.

Started tracking drums and bass for independent regional alt-rock projects while playing live club dates.

Tracked both drum and bass parts across early independent EPs and full-length releases.